Welcome to the Armstrong-Dixon Line where North East England based writer Keith Armstrong and artist Peter Dixon share their views on the world and all that surrounds it. Expect rants, politics, poetry, history, photography and all sorts of........stuff.
Friday, 6 October 2017
CHE GUEVARA IN HANRATTY’S HOTEL
All the beer mats turned red in Limerick
the night that rebel Doctor Che Lynch took a wander
along Glentworth Street,
pouring
the jingling city
down his throat
on this island of his ancestors.
With a beard
as dark as the comforting Guinness,
he slaked his ruggerman’s thirst,
his well-shaken mix of Irish and Galician roots,
by the night-soaked Shannon.
Thirty months later, he was dead in Bolivia;
smashed bones,
splintered beads
of a revolutionary’s sweat
rolling down the guttter.
Now, I am sending this green poem
to your own heaven, old Che;
for your spirited lapel,
a singing sprig of shamrock
to light up the culture shock
of your long wild hair.
You chanced it in Hanratty’s ‘Gluepot’ bar,
you plunged from the leaden sky
to chat up all this local talent
in the eloquent lilt of a roaring evening.
Mighty ‘Red Bird’,
icon at the bar,
no better or worse
than the barman
who served you
a pint or two of Irish love,
to make your heart
grow even bigger;
to set you up
for your flight
from Limerick,
‘three sheets to the wind’,
rocking across the mighty expanse
of the rolling drunk Atlantic to Havana,
to a certain
martyr’s death.
And, amid the glorious beauty
of trees,
in the murderous jungle
of brutal dreams,
we soaks
will remember you
and celebrate the night
you fell in with us.
KEITH ARMSTRONG
Saturday, 30 September 2017
FOR JOE SKIPSEY: THE PITMAN POET OF PERCY MAIN (1832-1903)
‘He’ll tell his tale o’er a pint of ale,
And crack his joke, and bad
Must be the heart who loveth not
To hear the Collier Lad.’ (Skipsey)
To be a pitman poet
you drag words
out of the seam of a dictionary,
write against the grain
all the time
feeling the pain
of a small education,
scribbling in the dark
for a bright spark
germ of a poem.
Hewing
for rhymes,
ducking
in case the roof
of the verse
caved in on you,
Joe
it was bloody hard
to learn,
to craft a line
from the black pit
when the whole world
weighed down on you.
A man was forced
to sing,
to render a ballad
like a lamp in the tunnel,
scraping an education
from coal,
crawling along bookshelves
to find daylight,
Shakespeare,
Shelley
and melody
in the stacks
of an underground library.
KEITH ARMSTRONG
Saturday, 23 September 2017
JOSEPH SKIPSEY: PITMAN POET - GATESHEAD EVENT
TUESDAY 26TH SEPTEMBER 7.30pm
BENSHAM GROVE COMMUNITY CENTRE, SIDNEY GROVE, GATESHEAD
WEA NE History and Heritage Branch & NORTHERN VOICES COMMUNITY PROJECTS PRESENT:
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903)
THE W.E.A. AND NORTHERN VOICES COMMUNITY PROJECTS PRESENT:
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903) 185TH ANNIVERSARY OF HIS BIRTH EVENT WITH TYNESIDE LAUNCH OF A NEW BOOK ABOUT SKIPSEY PUBLISHED BY NVCP IN ASSOCIATION WITH NORTH TYNESIDE COUNCIL.
FEATURING POETRY AND SONGS BY CONTRIBUTORS TO THE BOOK, TOGETHER WITH READINGS OF SKIPSEY'S OWN POEMS, INTRODUCED BY EDITORS KEITH ARMSTRONG AND PETER DIXON OF NORTHERN VOICES COMMUNITY PROJECTS WITH FOLK MUSIC BY THE SAWDUST JACKS, KEITH GREGSON AND GARY MILLER AND ALSO FEATURING ANN SESSOMS ON NORTHUMBRIAN PIPES WITH PERIOD TUNES.
TUESDAY 26TH SEPTEMBER 7.30PM, BENSHAM GROVE COMMUNITY CENTRE, SIDNEY GROVE, GATESHEAD.
Thursday, 14 September 2017
TAPESTRY
tapestry
poor avenues
life rich
tapestry
warm glow
community
hope springs
pit broken
grass grows
blink bonny
clocks alarm
wake joy in us
buses sweep past
at morn
buried dreams
night sings
town in winter
frosty coats
hearts melt
come the day
me hinny
love speaks
the streets glow
in my memory
golden times
this is
my home
your honour
badges in dust
in my chest
pride
our children
sing
heal wounds
my love
black and white
cups
wansbeck
flows
red
once
my eyes
glowed
my heart
ashington
ash town
yer bugs
i’m drowning
in kisses
deliver
babies
gifts
seed
with my eyes
visions
wor jackie
bobbing
river
doon that hole
gold
nuggets
this is my place
no place
for rats
turn pages
seek liberty
in ancient books
photographs
wor lass
beautiful
bring me sunshine
light
the back lanes
kicking a ball
the walls
echo
KEITH ARMSTRONG
Sunday, 10 September 2017
JOSEPH SKIPSEY: PITMAN POET - GATESHEAD EVENT
TUESDAY 26TH SEPTEMBER 7.30pm
BENSHAM GROVE COMMUNITY CENTRE, SIDNEY GROVE, GATESHEAD
WEA NE History and Heritage Branch & NORTHERN VOICES COMMUNITY PROJECTS PRESENT:
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903)
THE W.E.A. AND NORTHERN VOICES COMMUNITY PROJECTS PRESENT:
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903) 185TH ANNIVERSARY OF HIS BIRTH EVENT WITH TYNESIDE LAUNCH OF A NEW BOOK ABOUT SKIPSEY PUBLISHED BY NVCP IN ASSOCIATION WITH NORTH TYNESIDE COUNCIL.
FEATURING POETRY AND SONGS BY CONTRIBUTORS TO THE BOOK, TOGETHER WITH READINGS OF SKIPSEY'S OWN POEMS, INTRODUCED BY EDITORS KEITH ARMSTRONG AND PETER DIXON OF NORTHERN VOICES COMMUNITY PROJECTS WITH FOLK MUSIC BY THE SAWDUST JACKS AND ALSO FEATURING ANN SESSOMS ON NORTHUMBRIAN PIPES WITH PERIOD TUNES.
TUESDAY 26TH SEPTEMBER 7.30PM, BENSHAM GROVE COMMUNITY CENTRE, SIDNEY GROVE, GATESHEAD.
Dr Jude Murphy, Project Organiser (Heritage)
Part-time : working days: Tuesday to Thursday
WEA North East Region
Joseph Cowen House, 21 Portland Terrace
Newcastle upon Tyne NE2 1QQ
0191 212 6125
jmurphy@wea.org.uk
www.ne.wea.org.uk
Saturday, 2 September 2017
SONG FOR NORTHUMBERLAND BY DR KEITH ARMSTRONG: NOW ON DISPLAY AT NEW YOUTH HOSTEL
My poem 'Song for Northumberland' now on permanent display, with image of Bamburgh, at new youth hostel at Bardon Mill.
Friday, 25 August 2017
THE PITMAN POET OF PERCY MAIN
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903) 185TH ANNIVERSARY OF HIS BIRTH EVENT WITH LAUNCH OF A NEW BOOK ABOUT SKIPSEY PUBLISHED BY NORTHERN VOICES COMMUNITY PROJECTS IN ASSOCIATION WITH NORTH TYNESIDE COUNCIL.
FEATURING POETRY AND SONGS BY CONTRIBUTORS TO THE BOOK, TOGETHER WITH READINGS OF SKIPSEY'S OWN POEMS, INTRODUCED BY EDITORS KEITH ARMSTRONG AND PETER DIXON OF NORTHERN VOICES COMMUNITY PROJECTS WITH FOLK MUSIC BY THE SAWDUST JACKS AND ALSO FEATURING ANN SESSOMS ON NORTHUMBRIAN PIPES WITH PERIOD TUNES.
ST JOHN’S CHURCH, ST JOHN’S TERRACE, PERCY MAIN.
PART OF HERITAGE OPEN DAYS 2017.
THURSDAY 7TH SEPTEMBER 10AM. ADMISSION FREE.
FROM A PITMAN POET TO A MAGPIE ANGEL:
TYNESIDE CHARACTERS - A TRAWL THROUGH OUR LOCAL HISTORY WITH POET DR KEITH ARMSTRONG (THE JINGLING GEORDIE) AND FRIENDS, FEATURING THE SAWDUST JACKS FOLK GROUP AND CELEBRATING THE 185TH ANNIVERSARY OF THE BIRTH OF THE PITMAN POET OF PERCY MAIN JOSEPH SKIPSEY (1832-1903) AND THE 125TH ANNIVERSARY OF THE FOUNDING OF NEWCASTLE UNITED.
A NORTHERN VOICES COMMUNITY PROJECTS EVENT.
THE RED HOUSE, SANDHILL, NEWCASTLE. THURSDAY 7TH SEPTEMBER 12.30PM. ADMISSION FREE.
PART OF HERITAGE OPEN DAYS 2017.
FURTHER INFORMATION FROM NVCP: TEL 0191 2529531.
THE W.E.A. AND NORTHERN VOICES COMMUNITY PROJECTS PRESENT:
THE PITMAN POET OF PERCY MAIN: JOSEPH SKIPSEY (1832-1903) 185TH ANNIVERSARY OF HIS BIRTH EVENT WITH TYNESIDE LAUNCH OF A NEW BOOK ABOUT SKIPSEY PUBLISHED BY NVCP IN ASSOCIATION WITH NORTH TYNESIDE COUNCIL.
FEATURING POETRY AND SONGS BY CONTRIBUTORS TO THE BOOK, TOGETHER WITH READINGS OF SKIPSEY'S OWN POEMS, INTRODUCED BY EDITORS KEITH ARMSTRONG AND PETER DIXON OF NORTHERN VOICES COMMUNITY PROJECTS WITH FOLK MUSIC BY THE SAWDUST JACKS AND ALSO FEATURING ANN SESSOMS ON NORTHUMBRIAN PIPES WITH PERIOD TUNES.
TUESDAY 26TH SEPTEMBER 7.30PM, BENSHAM GROVE COMMUNITY CENTRE, SIDNEY GROVE, GATESHEAD.
Tuesday, 15 August 2017
HAPPY BIRTHDAY TO MY FRIEND JACK COMMON (BORN NEWCASTLE UPON TYNE 15TH AUGUST 1903)
Ever since the sixth form,
when I found you,
a kindred Novocastrian
in a library book,
I seem to have followed in your steps,
stumbled after you
in rain soaked lanes,
knocked on doors
in search of your stories.
For over forty years,
I have tracked
the movement of your pen
in streets you walked
and on cross country trains
from your own Newcastle
to Warrington
Malvern,
Newport Pagnell,
Letchworth,
Yetminster,
Wallington
and back again.
I have given talks about you,
supped in your pubs,
strode along your paragraphs
and river paths
to try to find
that urge in you
to write
out of your veins
what you thought of things,
what made you tick
and your loved ones
laugh and cry.
I tried to reach you in a thesis,
to see you as a lad in Heaton,
but I could never catch your breath
because I didn’t get to meet you
face to face,
could only guess
that you were like me:
a kind of kindly
socialist writer
in a world
too cruel for words.
KEITH ARMSTRONG
Peter Common Well said Keith!
Dear kindly socialist writer - this is great - thanks a lot for sending it
Love
Pat
Thursday, 10 August 2017
THE SUN ON DANBY GARDENS
The sun on Danby Gardens
smells of roast beef,
tastes of my youth.
The flying cinders of a steam train
spark in my dreams.
Across the old field,
a miner breaks his back
and lovers roll in the ditches,
off beaten tracks.
Off Bigges Main,
my grandad taps his stick,
reaches for the braille of long-dead strikes.
The nights
fair draw in
and I recall Joyce Esthella Antoinette Giles
and her legs that reached for miles,
tripping over the stiles
in red high heels.
It was her and blonde Annie Walker
who took me in the stacks
and taught me how to read
the signs
that led inside their thighs.
Those Ravenswood girls
would dance into your life
and dance though all the snow drops
of those freezing winters,
in the playground of young scars.
And I remember freckled Pete
who taught me Jazz,
who pointed me to Charlie Parker
and the edgy bitterness of Brown Ale.
Mrs Todd next door
was forever sweeping
leaves along the garden path
her fallen husband loved to tread.
Such days:
the smoke of A4 Pacifics in the aftermath of war,
the trail of local history on the birthmarked street.
And I have loved you all my life
and will no doubt die in Danby Gardens
where all my poems were born,
just after midnight.
KEITH ARMSTRONG
Monday, 24 July 2017
Saturday, 22 July 2017
MARSDEN ROCK
photo: katrina porteous
Sensational Rock,
swimming in light.
Bird cries clinging to ancient ledges,
Kittiwakes smashing against time.
What tales you could tell.
Your face is so moody,
flickers with breezes,
crumbles in a hot afternoon.
Climbing your powdery steps,
we look down on the sea
thrashing at you.
We join a choir of birds at your peak,
cry out to the sky
in good spirits.
Nesting for the sake of it,
our lyrics are remnants on the shore.
We keep chipping away,
do we not?
We slip
through the pebbles,
splashing
with babies.
We leave our mark,
a grain
on the ancient landscape.
We go.
We dance like the sunlight
on your scarred body:
tripping,
falling,
singing
away.
KEITH ARMSTRONG
Saturday, 8 July 2017
WHITLEY BAY: POEMS BY DR KEITH ARMSTRONG
FRIENDS OF ST. MARY’S ISLAND
Around the low water mark,
kelp beds grow.
Network of rockpools,
boulder shore.
Long-legged bar-tailed godwit,
expert
at finding
mud and sand-living worms.
Seabed of rocky reefs,
shipwrecks dived within and around.
Wrasse and lumpsucker.
Seashore Code.
Remembered rambles,
geology jaunts.
Soft coral communities.
Relic dunes.
KEITH ARMSTRONG
THE BEACON
A St. Mary’s Light
incandescent
with rage.
A three ton lens,
balanced
on a trough of mercury,
kept revolving,
round the gas mantle,
by a simple pendulum
wound up
on the hour.
A climb
up 137 steps,
inside the 120 foot tower,
a hiss of flame,
clamping
of a prism
constantly
turning.
Since medieval times,
across the ocean fields,
this beacon
has burned,
blinking
on the drink.
Years sailed by,
memories
of shipwrecks,
of Russian soldiers
cholera-wracked
in 1799,
of the ‘Gothenburg City’
and rats with chewed tails.
These heartbreaking waves,
the illumination
of shafts of history:
the rays
and days
of a shining Empire
sunk.
KEITH ARMSTRONG
GARCIA LORCA IN WHITLEY BAY
"I’ve come to devour your mouth
and dry you off by the hair
into the seashells of daybreak."
(Federico Garcia Lorca)
In the rotunda,
your voice lashes out at war.
You
sing
on the crests of the girls,
streaming up the Esplanade.
You
scream under a parasol of gulls,
skimming through the fairground,
on a mission to strangle
flying fish.
Haunting poetry
in the dead ghost train,
the palms of the fortune-tellers,
dust.
Lorca in a broken-down ghost town,
scattering your petals:
Garcia up against the wall
of last night,
eyes shot;
blood from the evening sky,
dripping down an ice cream cone,
down a sweet lass’s blouse.
Saw you on the Metro, Federico,
saw you in Woolworth’s.
Saw you in the crematorium,
on Feather’s caravan site.
Saw you drown
in a sea of lyrical beauty.
Lorca,
like Community,
you are gone;
ideals
torn into coastal shreds.
Still shells
glisten,
lips on the beach
ready
for kissing again
ready
for the re-launch
of childish dreams,
sticky
with candy floss
and cuckoo spit.
KEITH ARMSTRONG
The Spanish City, Whitley Bay.
LIKE THE SPANISH CITY
The days have gone;
the laughter and shrieks
blown away.
We have all grown up,
left old Catalonian dreams
and the blazing seaside bullfights.
We are dazed,
phased out.
Spaces where we courted
bulldozed
to make way
for the tack of tomorrow;
the hope in the sea breeze;
the distant echo of castanets
and voices scraping
in a dusty rotunda.
I remember where I kissed you,
where I lost you.
It was in Spain, wasn’t it?
Or was it down the Esplanade
on a wet Sunday in July?
Either way,
we are still
twinned with sunny Whitley Bay,
and flaming Barcelona too;
and our lives
will dance in fading photographs
from the pleasure dome,
whenever we leave home.
KEITH ARMSTRONG
Monday, 19 June 2017
WALLINGTON MORNING
WALLINGTON MORNING
‘But the thing I saw in your face
No power can disinherit:
No bomb that ever burst
Shatters the crystal spirit.' (George Orwell).
I stood at your door,
knocked in the English sunshine,
bowed to greet you
but could not hear
the chatter
from your typewriter
or the rain pecking
at the tin roof,
only the plummet of the leaves
brushing against my face
and the birds
falling over the fields.
Thought of you and Jack Common,
shaking hands
in open debate,
patched sleeves
damp on the bar counter,
ploughing through
tracts of history,
eyes on the horizon
looking for War
and bombs
over Datchworth's spire.
This magic morning,
clear sky in our hearts.
No September showers,
only goats bleating,
a horse trotting
down the lane
and, in the day dream,
St Mary's bells
glistening
with Eileen asleep
in the clouds.
What should I say?
We are weak.
I know you were awkward
but, like Jack, full of love.
Out of bullets,
flowers may grow;
out of trenches,
seeds.
The roses
and acorns of thoughts
you planted
those years ago
in Kits Lane,
nourish us now
in these brief minutes,
gifts
from your writing hand
farming for words,
the eggs of essays,
the jam on your fingers.
You were scraping a book together,
smoking the breath
out of your collapsing lungs,
taking the world
on your creaking bent shoulders,
riding across fields
for friends,
bones aching,
fighting to exist
in the cold breeze.
Still the Simpson's Ale
was good in the Plough,
the old laughter still
flying down this Wallington lane,
with the crackling children
sparkling
on an idyllic day.
Enjoy this beauty,
it will turn to pain.
Sing your folk songs,
dig your garden,
dance in your brain.
Graft and graft
until all the breath is gone.
Leave a brave mark
in the dust
round Animal Farm.
What a good thing
to be alive
where songbirds soar
and daffodils nod.
Over the slaughter
of motorways,
we are following
your large footprints
into this bright countryside
where good people
adopt another's children
and still
fall in love
with England.
KEITH ARMSTRONG
Written after visiting Orwell’s cottage in Wallington, Hertfordshire, where he lived with Eileen O’Shaughnessy and which was looked after for him by fellow writer Jack Common in 1938.
(for
Wednesday, 7 June 2017
SPLINTERS (FOR MY FATHER)
(FOR MY FATHER)
You picked splinters
with a pin each day
from under blackened fingernails;
shreds of metal
from the shipyard grime,
minute memories of days swept by:
the dusty remnants of a life
spent in the shadow of the sea;
the tears in your shattered eyes
at the end of work.
And your hands were strong,
so sensitive and capable
of building boats
and nursing roses;
a kind and gentle man
who never hurt a soul,
the sort of quiet knackered man
who built a nation.
Dad, I watched your ashes float away
down to the ocean bed
and in each splinter
I saw your caring eyes
and gracious smile.
I think of your strong silence every day
and I am full of you,
the waves you scaled,
and all the sleeping Tyneside streets
you taught me to dance my fleeting feet along.
When I fly, you are with me.
I see your fine face
in sun-kissed clouds
and in the gold ring on my finger,
and in the heaving crowd on Saturday,
and in the lung of Grainger Market,
and in the ancient breath
of our own Newcastle.
KEITH ARMSTRONG
‘This is one of the poems I'll never forget. I see the struggling of my own dad in your words.
Thanks for your fine poem.’ (Klaas Drenth)
‘Beautiful poem. Loving, moving memories. Most excellent Keith.’ (Strider Marcus Jones)
‘Love the poem Keith. That’s my dad.’ (John McMahon)
Annie Sheridan ‘Beautifully visual Keith, nice to share your memories.’ x
Imelda Walsh ‘Lovely poem, loving memories too.’
Kenny Jobson ‘So, so good, Keith - I'll share this, if you don't mind.’
Monday, 29 May 2017
HIER KOTZTE GOETHE (GOETHE PUKED HERE)
‘About Goethe, the legend says that he was invited to stay here in Tuebingen for a while but on the very first day that he was walking around he couldn't stand the smell of the open channels and did what he had to do.’
Goethe puked here
he did.
Poured out a tide of words
on the street.
Couldn’t stand the smell of war,
the decay of stinking empires,
ugly whiff of bad poetry.
He did,
he puked on Tuebingen,
on all the drivel
coursing from the normal text books.
He had to.
To keep his guts open to the theory of beauty,
vomit out the wretched ugliness
from this town’s pouting ulcers.
Clear ‘Coin Alley’
for all the shouting children
to dance along,
for his mate Schiller to rhyme by,
for the swifts to sing
over it all,
over and over again
in this distinct order of loveliness.
KEITH ARMSTRONG
Sunday, 21 May 2017
TELL ME LIES ABOUT NORTHUMBERLAND
(in honour of Adrian Mitchell)
Say this land is ours,
these pipe tunes do not cry.
The birds all sing in dialect,
old miners breathe like dukes.
Tell me lies about Northumberland.
Tell me it isn’t feudal,
that castles were built for us.
We never touch the forelock,
bend to scrape up dust.
Tell me lies about Northumberland.
Your pretty girls don’t stink of slaughter,
your eyes don’t blur with myth.
You’re as equal as a duchess,
saints never smell of piss.
Tell me lies about Northumberland.
Your roots are in this valley,
you were never from doon south.
You never hide your birthplace,
you’re a real poet of the north.
Tell me lies about Northumberland.
The churches are not crumbling,
the congregations glow with hope.
We are different from the foreigner,
our poetry rhymes with wine.
Tell me lies about Northumberland.
There is no landed gentry,
no homes locals can’t afford.
There’s no army on the moors,
the Romans freed us all.
Tell me lies about Northumberland.
That the hurt is in the past,
the future holds no war.
Home rule is at our fingertips,
the Coquet swims with love.
Tell me lies about Northumberland.
‘The Garden’ is our children’s,
Hotspur spurs us on.
The seagulls are not soaked in oil,
the cows are not diseased.
Tell me lies about Northumberland.
This Kingdom is United,
‘Culture’ is our God.
Everyone’s a Basil Bunting freak,
there’s music everywhere.
Tell me lies about Northumberland.
We will have our independence,
we’ll get the Gospels back.
We live off museums and tourists,
we don’t need boats or trades.
Tell me lies about Northumberland.
We’re in charge of our own futures,
we have north east citizens here.
In this autonomous republic,
we’re free as dicky birds.
So shut your eyes.
And tell me lies
about Northumberland.
Mo Shevis I think Adrian Mitchell would have been well and truly honoured by that one Keith!
Subscribe to:
Posts (Atom)


















