Friday, 8 February 2019

OLD STATIONS































(for Kathleen Sisterson)






There’s an old station


I keep dreaming of


where I wandered


as a child;


flower baskets


seep with longing


and engines


pant with steam.


It might have been


at Chollerton,


in a summer’s field,


when I realised


how good 


life could be,


in the sunshine


of my songs;


or it might have been


at Falstone


where the roses


smelt of smoke


and I felt


the breath of railwaymen


wafting in my hair.


This little boy,


with his North Tyne lilt


and the dialect


of ancients,


ran up the platform


of his life


and chased


the racing clouds.


It was a first taste


of Kielder Forest


and the light


that skimmed the hills


and the engine


rattled through the day


to drive me 


to my roots:


to Deadwater


and Saughtree,


the hours flew


for miles


and the railway


ran into my veins


and sparked 


history in my soul.


In this album


of a fragile world,


I’d like to leave 


these lines 


for you to find


in Bellingham


or Wark,


a tune to play


in Reedsmouth


in Woodburn 


or in Wall.


Along this route, 


I hope you'll find


a glimpse of me in youth;


the smiling child,


inside the man,


who took the train


by chance


and found his way 


with words


and leaves


to Thorneyburn 


and Riccarton,


along the tracks


of dreams.











KEITH ARMSTRONG



Lovely poem & so evocative of an area which has changed much since you were a ‘reivers’ lad on your journey through the North Tyne Valley. (Geoff Holland)





Beautiful and evocative. (Conrad Atkinson)



Thanks for your wonderful poem 'Old Stations'. It's a truly moving piece of work, tapping childhood nostalgia but in away that seems naturally to a young imagination being born of the lore and physicality of the trains and railway stations. (Noel Duffy)



Really liked that one, so descriptive, I could see it all in my mind’s eye! (Marie Little)





Wonderfully evocative, Keith. (Sid Smith)



Like it! (Pete Thompson)





It's great Keith! (Peter Common)

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